(14 October 1853 -- 31 May 1927) was a Brazilian painter. His works usually depicted figures from Brazil and Brazilian culture, including a famous portrait of the bandeirante Domingos Jorge Velho in 1923, and scenes from the coastline of São Paulo. Unlike many artists of the time, Calixto's patron was an individual other than the state, who were "the most dependable source of patronage."  Related Paintings of Benedito Calixto :. | Gospel in the Jungle | The Arrival of Friar Pedro Palacios | True effigy of Saint Charles Borromeo | A Cachoeira do Rio Sorocaba | The Visitation of the Virgin to Saint Elizabeth |
Related Artists:
Bundy Horace
American portraits and landscapes painter, 1814-1883
Alson Clark
1876-1949 was an American Impressionist painter best remembered for his impressionist landscapes. Born in Chicago, Illinois, his art education included training at the Art Institute of Chicago (where he enrolled at Saturday classes at the age of 11), the Art Students League of New York, and in the atelier of William Merritt Chase. He spent much of his early career working in Paris, France. He served in the US Army as an aerial photographer during World War I. In 1920 he and his wife relocated to Pasadena, California. He taught fine art at Occidental College, and was director of the Stickney Memorial School of Art in Pasadena. His memberships in arts organizations included the Pasadena Society of Artists and the California Art Club. In addition to landscape paintings, Alson Clark painted murals for the Cathay Circle Theatre in Los Angeles, and the fire curtain of the Pasadena Playhouse, depicting a Spanish galleon in full sail. A group of murals completed in 1929 can still be seen at the former 1st Trust & Savings Bank at 587 East Colorado Boulevard in Pasadena, California.
Duccio
1255-c1319 Italian Duccio Location Italian painter. He was one of the most important painters of the 14th century and like his slightly younger contemporary, Giotto, was a major influence on the course of Italian painting. An innovator, he introduced into Sienese painting new altarpiece designs, a dramatic use of landscape, expressive emotional relationships, extremely complex spatial structures and a subtle interplay of colour. His most important and revolutionary work, the Maeste for Siena Cathedral, was never matched during the 14th century, if at all, and his influence lasted well into the 15th century.